By Dr Brian Laslie
Friday, 26 January, the long-awaited first and second episodes of Masters of the Air, based on the excellent eponymous book by Don Miller, premiered on Apple TV+. When I say long-awaited, rumours and articles have swirled around the series for over a decade, dating back to 2012.
I was lucky to see the first episode early last week as part of pre-screening at the US Air Force Academy. As From Balloons to Drones was created to discuss just such a series in the public realm, I wanted to provide a quick commentary with my thoughts from the first episode.
The oft-watched, oft-quoted, and something of related series that Masters of the Air will be inevitably compared to is 2001’s Band of Brothers. When Band of Brothers released on 09 September 2001 (yes, at its first showing on the evening of the ninth, the world was less than 48 hours away from the events of 11 September), 57 years had passed since the events of the show. Many unit members were still alive in their late seventies or early eighties. As most remember, each episode either began or ended with the veterans telling their stories. This is, sadly, impossible for Masters of the Air. I do ponder how Major Gale ‘Buck’ Cleven, Major John Egan, or Lieutenant Colonel Robert ‘Rosie’ Rosenthal might have reacted to having themselves portrayed in the series. These real-life men never lived to see themselves portrayed in film, another bitter reminder that the Second World War generation is all but gone now.
In my two viewings of episode one so far, two words continually play in my mind: Poignant and terrifying. Masters of the Air has succeeded where other more recent films have failed – at least for me – the actors portraying these real men (I cannot bring myself to refer to them as ‘characters’) do so without entering the realm of parody. The protagonists thus far, Buck and Bucky, seem like mid-twenties officers of the time, and I hope their character development continues in future episodes.
So far, the attention to detail seems well in hand. The men gearing up for the missions, the checklist, and the startup process for the Boeing B-17 Flying Fortresses is something too oft missed in other aerial films where pilots and crews hop in and zoom off to the wild blue yonder with nary a wave at the ground crews. The maintainers and mechanics also have their moments so far, and it is nice to see some recognition for the men who kept the planes in the air.
Obviously, the series uses CGI for the aerial battles but has used existing B-17s where possible. With only one episode down and knowing that the air battles are to increase in size with the number of aircraft and defenders, it has, thus far, demonstrated well the speed of attacking aircraft. Some critics have noted that the air battles are chaotic and difficult to follow. It is hard to tell who is who with the masks up and gear on, and the enemy fighters fly by in a blur with the gunners twisting to get off a few shots, but to my eye, there is realism here: the speed and chaos of air combat amongst the bomber crews is well done.
I cannot tell as of yet if Masters of the Air will live up to the hype, but as a historian, I have already found myself enjoying the series both for its storytelling and its accuracy. I also note that my air power colleagues have talked of little else this week and spent an inordinate amount of time talking to other interested parties, including media outlets (it’s a good time to be an air power historian). Knowing that the Tuskegee Airmen and Stalag Luft prison camps will be seen in future episodes only heightens my eagerness for more.
Thus far, I commend all parties involved in bringing the show to the screen. If this series inspires a younger generation to explore their past, ask questions about history, and look to learn more, it will have done its job.
Meanwhile, those of us already immersed in reading, researching, and publishing should use the series as a moment in time to explain what went on in the skies over Europe – and all over the world – during the Second World War: both the good and the bad, the glory and the horror, the rhetoric and the reality of the Masters of the Air.
Dr Brian Laslie is a US Air Force Historian and Command Historian at the United States Air Force Academy. Formerly he was the Deputy Command Historian at North American Aerospace Defense Command (NORAD) and United States Northern Command (USNORTHCOM). A 2001 graduate of The Citadel and a historian of air power studies, he received his Masters’ from Auburn University Montgomery in 2006 and his PhD from Kansas State University in 2013. He is the author of Air Power’s Lost Cause: The American Air Wars of Vietnam (2021), Architect of Air Power: General Laurence S. Kuter and the Birth of the US Air Force (2017) and The Air Force Way of War (2015). The latter book was selected for the Chief of Staff of the Air Force’s 2016 professional reading list and the 2017 RAF Chief of the Air Staff’s reading list. He can be found on Twitter at @BrianLaslie.
Header image: A formation of Boeing B-17 Flying Fortresses of the 100th Bomb Group flies over a blanket of clouds en route to their target at Warnemunde, Germany, 29 July 1943. The aircraft shown is the B-17 ‘Alice From Dallas’. Source: US National Archive and Records Administration)
